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from Inside A Prune

Hello all and welcome to issue two of Judas! magazine. First of all I’d like to thank everyone who responded to issue one. It seems you think that it succeeded in our stated aim of ‘being durable and authoritative, more like a book than a fanzine’. So now it is our challenge to keep doing so.

Our intention was to include writers from within and without the ‘Dylan community’ and to promote new writers. We fulfilled that also, though which particular set of writers is most featured in any given issue may be down to chance, interconnectedness of topic and quality of contributions.

In issue one there was an emphasis on professional rock (in its widest sense) writers, while in this issue the dominance comes from known Dylan authors. At the same time we are delighted to be showcasing new (or new-ish) writers, something we think is essential, and we already have more lined up for future issues. However, we are actively seeking to find more – I know you are out there, and will continue to nag for you to come forward!

Before I return to nagging, it is my very sad duty to comment on the death of ‘Never Ending Tour’ guitarist César Diaz on April 26th. César had been gravely ill since liver problems were diagnosed nearly a decade ago. As those who went to the last Manchester convention can confirm, you’d never have guessed it from meeting him. He was the life and soul of that weekend, spending as much of his time as possible with the fans, staying up as late as anyone, and he was the first up chatting to all and sundry the next day.

Generosity was his middle name and he plied me with champagne while showing me one of Dylan’s guitars. His talk to the convention audience that afternoon was riveting and a huge success.
He was also an astute observer of Dylan’s performing art. The interviews with Clinton Heylin and Derek Barker provide us with ample evidence of that. Indeed the following quote that Clinton obtained is one of the most perceptive things I have heard on Dylan the performer:

‘To me each song is a play, a script and he’ll be that guy from the song for that moment but [then] he’ll change back to Bob… It took me a while to realize that. But he actually convinces you that yes, it is me who is talking to you, and I’m being sincere about it.’

Please keep an eye on our website at www.judasmagazine.com where, amongst its various pleasures, you can also send feedback to this issue, as you can via e-mail to editor@judasmagazine.com or via the contact information on the inside front cover. Back to nagging – you can send contributions the same way!


Best wishes, and I hope you find this stimulating and enjoyable.



Andrew Muir